Jasmine Mahmoud is a project editor at Crosscut, where she contributes to the Black Arts Legacies project. She is also assistant professor of Theatre History and Performance Studies at the University of Washington, where she holds an affiliate appointment in Art History. Her writing has appeared in Art Forum, ASAP/J Online, Canadian Art Review, Common Reader, Howlround, Hyperallergic, LitHub, South Seattle Emerald and Variable West. She co-edited Makeshift Chicago Stages: A Century of Theater and Performance (Northwestern University Press 2021).
